Copyright Information
Tokyo Rose /
An American
Patriot:
A Dual Biography
This website contains at least four kinds of copyrighted material.
1) I, Frederick P. Close, control the copyright to any materials created by myself. This
would include, but is not limited to, textual content of webpages, photographs and
notes I took, and recordings of Iva Toguri I made. No one has the right to reproduce
these materials without my consent.
2) The U.S. government in one form or another -- for example, the Army Signal Corps
or the U.S. Department of Justice -- created and therefore "owns" many of the
documents and images on this website. These are available for reproduction and use
by anyone. (My comments on these documents are not.)
3) The website also contains many images from popular magazines. The originating
magazines own the copyright for these images. (See my citations.) These images are
available under the "fair use" provision of copyright law for the specific purpose of
creating a scholarly biography and website on Tokyo Rose and Iva Toguri as per the
following:
First, the 1961 Report of the Register of Copyrights on the General Revision of the U.S.
Copyright Law cites examples of activities that courts have regarded as fair use.
These concern "review or criticism for purposes of illustration or comment ... in a
scholarly or technical work, for illustration or clarification of the author's observations
…" Magazine images in TR/AP serve precisely these purposes: scholarly comment,
illustration, criticism.
Second, the use of the images is "transformative," which in 1994 the Supreme Court
emphasized in its opinion on fair use. In my book and on this website, the fashion
photos are not meant to sell dresses or even display designers' collections; the
transformative use is to illustrate a pre-war focus on models with Asian features. The
cartoons are not intended to make people laugh. Their transformative purpose is to
illustrate a preoccupation with female spies in 1940-41. In summary, the fact that such
images are available to scholarly critics and commentators under the fair use doctrine
does not imply they may be copied from this website and used in other contexts.
4) Iva Toguri gave me family photos and other materials for my use in connection with
my book. I have her commitment to my research in writing, her written comments on
the letters, photos, or documents, and personal letters to me that prove that
permission. Any reproduction of such material should not be undertaken without the
permission of the Toguri estate.
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